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Caspar David Friedrich
Eiche im Schnee
Eiche im Schnee
1827-28
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Caspar David Friedrich
Greifswald in Moonlight
Greifswald in Moonlight
1816-17
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Caspar David Friedrich
The Garden Terrace
December 1811
The Garden Terrace
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Caspar David Friedrich
Evening on the Baltic Sea
Evening on the Baltic Sea
1831
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Caspar David Friedrich
Picture in Remembrance of Johann Emanuel Bermer
Picture in Remembrance of Johann Emanuel Bermer
1830-35
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Caspar David Friedrich
Winter Landscape
Winter Landscape
1811
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Caspar David Friedrich
The Chasseur in the Forest
The Chasseur in the Forest
1814
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Caspar David Friedrich
Hill and Ploughed Field near Dresden
Hill and Ploughed Field near Dresden
near 1824
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Caspar David Friedrich
Northern Sea in the Moonlight
Northern Sea in the Moonlight
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Caspar David Friedrich
Evening
Evening
1824
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Caspar David Friedrich
Mountainous River Landscape
Mountainous River Landscape
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Caspar David Friedrich
City at Moonrise
City at Moonrise
1817
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Caspar David Friedrich
Ruine Oybin bei Mondschein
"Ruine Oybin bei Mondschein" - Gemälde/Transparentbild, zugeschrieben Caspar David Friedrich; eventuell aber von seinem SchXler Ernst Ferdinand Oehme, 1810 oder 1832
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Caspar David Friedrich
Bohmische Landschaft
Bohmische Landschaft
ca. 1808(1808)
Oil on canvas
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Caspar David Friedrich
Bohmische Landschaft mit dem Milleschauer
Bohmische Landschaft mit dem Milleschauer
ca. 1810(1810)
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Caspar David Friedrich
Landscape with Solitary Tree
Landscape with Solitary Tree
1822
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Caspar David Friedrich
Waldinneres bei Mondschein
Waldinneres bei Mondschein
um 1823 bis 1830
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Caspar David Friedrich
landscape
landscape
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Caspar David Friedrich
The stages of Life
The stages of Life" by Friedrich, Caspar David
1833(1833)
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Caspar David Friedrich
Kugelgens Grab
Kugelgens Grab
1821/'22
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| Caspar David Friedrich
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1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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